Small video workshop study and question

I am completing a small strawberry study from Jacqueline Gnott's video " My Favorite Things". Jacqueline makes one take a real close-up look at a strawberry. Wow. I had never noticed all those small details before. Fascinating! Here is my humble  5" x7" rendition of Jacqueline's fruit:

My husband laughed yesterday afternoon as he found me in the kitchen taking pictures of almost every strawberry in the basket he had purchased earlier. I was looking for strawberries with stems...but there was none!!!

I will be in a two-day show at the end of July. Apparently last year not a single painting sold at that show:-(  I think I should have small paintings of this size either framed or just matted to offer some less expensive art. What do you think?

Most artists at that upcoming show work in oil or acrylic. I believe that there will be only one other watercolor artist. I found that surprising. That brought me to reflect on what medium is used on the various daily painters sites. Most daily  works are in oils; acrylic is next. Watercolor is fairly rare. Why is that?
Do people hesitate to buy online a painting that is either not yet framed or is framed in glass that could break in transit? Is it that watercolor is not popular or is perceive of lesser value than oil or acrylic paintings?

I would really like to hear your opinion on this topic.

Have a great Sunday.

Experimenting with Fabriano's Soft Press watercolor paper

I am continuing my experiments with various watercolor papers. This time, I have tried Fabriano's Soft Press 140lb paper. I think this is going to be a winner!

Fabriano states that the soft press is somewhere between its hot press and its cold pressed paper. I wanted to try it out for myself with a quick sketch. I started the most typical Venetian scene possible: gondolas facing San Giorgio's. I may or may not complete this small  5"X 7" painting, but I am ready to share the following observations :

The soft press paper:

• has a texture similar to most CP papers: in other words, it is not as slick as most Hot Press. You don't have the impression of being on a skating rink.
• allows for extremely easy lifting of paints.  For example, on the main gondola cover, most of the highlights were achieved by lifting of paint, either while wet or once it had dried.  I loved that feature of this paper. This probably makes the paper closer to HP than CP. 
• should be ideal for florals
• is probably not the best for texture , although this is only an assumption on my part since I have not yet tried to achieve any special texture effects on this paper. Any comments about this?
• is a lot more economical in Ottawa, Canada than any of the Arches paper ( almost half the cost of the 140 lb CP Arches).

I really enjoyed working on this paper and this is definitely a paper that I will try again.

I would be very interested in reading comments from those of you who have painted on this Fabriano 140 lb Soft Press paper.